Hey, look, a distillation of the Driftwood aesthetic, a meditation on liner notes in the new music issues of The Believer, an essay filled with multiple hyphenations, compound adjectives, agitated prose about agitated prose about music, high praise for Joe South, Sammi Smith and Screamin’ Jay Hawkins; it’s like that Borges story where the guy re-writes Don Quixote and it takes on a totally different meaning, only not really.
1 comment:
Splendid!
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